Hand-embroidered silk nightgown, 1930s. This elegant bias-cut nightgown epitomizes the fluid look of the 1930s.
Wool evening coat, 1970s. Pauline Trigère had a unique mastery of draping wool fabrics.
Hand-embroidered silk nightgown, 1930s. The bodice front is finely hand embroidered with a grid of flowers.
French silk brocade valence, c.1910. Made from luxurious floral silk brocaded faille and lined with brown cotton sateen.
Bill Blass ultrasuede coat, c.1980. The unstructured style is casual. Yet the details are crisp and defined. The Bill Blass look— assured, impeccably tailored, and comfortable.
Victor Costa cocktail dress, 1980s. The tightly fitting, ruched torso emphasizes your curves.
Bill Blass little black dress, 1980s. Empire-style, black velvet bodice with a black silk crepe mini skirt.
Beaded velvet flapper cloche, late 1920s. Embellished with faceted black glass beads.
Scaasi satin cocktail dress, c.1960. With saturated color and dramatically shaped skirt, the stunning dress is high spirited and sculptural.
Paolo Gucci silk scarf, 1980s. Horsey design signifies an aristocratic background for the wearer. Reserved
Cordé navy handbag, 1940s. Cordé part of the bag is perfect; only the frame shows wear.
Pair of European fancy pillow shams, c.1900. Embellished with hand-embroidered cutwork and pin tucks.
Japanese painted leather wallet, 1920s. Embossed and painted with a fiery dragon.
Hand-assembled tape lace bolero vest, c.1905. From handmade Brussels lace, it would cost $700.
Devoré velvet mantle, 1880s. The back "tail" added decoration to the top of the bustle.
Split-crotch cotton knickers, 1870s. Fine decoration.
Ivory satin peignoir, 1940s. Trimmed with beautiful beige cotton lace.
Beaded cashmere sweater, c.1950. Unique beading, front and back.
Italian pony skin boots,1970s. Uppers are fashioned from pony skin. The soles and heels are rubber.
Needle-run net lace scarf, 1870s. Lovely gossamer scarf with very fine silk net with silk floss embroidery.
Mixed lace cardigan jacket, 1920s. The antique look without the high cost of handmade lace.
Hand-embroidered silk blouse, c.1915. Finely decorated on cuffs and front panel with open work embroidery in silk floss.
Hand-painted silk/ivory fan, c.1910. Japanese figures set in a floral landscape.
Child's Irish crochet bonnet, c.1910. Each side is decorated with a pink ribbon rosette.
Adrienne Vittadini wool knit dress, 1980s. Casual ease and feminine appeal is signature Vittadini.
Ayrshire hand-embroidered petticoat, c.1890. The hand-embroidered hem border is quite charming.
3.4 yards satin ribbon, c.1910. A bold, patriotic design!
Beaded needlepoint pillow cover, c.1895. The finely worked pillow cover features beaded Calla lilies set in a cluster of wool needlepoint leaves.
Velvet/satin evening shoes, 1930s. Fab black velvet T-strap design has alternating black satin straps.
Satin brocade panel with matching trim, 1920s. Almost 2 yards long.
Ayrshire panel, c.1890. Inventive textural combinations.
3.7 yards printed satin ribbon. Delightful paisley pattern.
|#9315 $95 |
Ayrshire panel, c.1890. The pristine purity of whitework!
French stenciled satin coin purse, c.1938. Crafted with stenciled satin on outside and red leather on inside.
Broderie Anglaise christening dress, 1880s. Fine whitework enhanced by many rows of textured tucks.
1 3/4 yards ribbon, c.1910. Silk damask ribbon.