#2562 $1,600
Beaded tulle evening gown, c.1910
In this scintillating evening gown, we see the opulent elegance of the Gilded Age materialized in the world of high fashion. The textured black-on-black design adds a layer of glamour to the languid elegance of the late Edwardian period. Our gown is just as chic today as in 1910.
The ingenious textural combination of black glass beads, paillettes, and assorted sequins (some triangular) is enhanced by creatively placing clusters on edge, producing a glittering three-dimensional effect. The outer black silk tulle layer is totally covered with a brilliant textural composition.
The elegant style molds to the torso, ending with a dramatic sweeping train. The tulle layer is attached to a black taffeta underdress. The bodice has an additional layer of black silk chiffon between the tulle and the boned taffeta under bodice.
With their delicious filigree detail, the beaded panels that hang from the bodice are to die for! The gown closes in back with hooks. The label on the petersham reads "J.L. Conley/Boston."
By 1910 the mature figure with an exaggerated "S"-curve silhouette had departed the fashion scene in favor of a more youthful vertical line. A woman's body now became a long slender tube. One consequence was that the layers of underwear formerly worn were no longer necessary in the streamlined silhouette.
The most striking aspect of this glamorous "high society" gown is its modernity. These days, you can see lookalikes (though not so well made) at high profile social events. What accounts for the modern look? In addition to the silhouette, it is the color. By the late 1920s, the color black—associated with dignity, mystery, and elegance—reigned supreme as the defining color of high fashion.
The condition is almost excellent. There are a few mends on the lining and hem of the train. They do not show when the gown is displayed or worn.
It measures: 36" bust, 28" waist, 38" hip, and 46" skirt front length from the underbust seam to the hem.
