#2514 $1,200
Bias-cut velvet evening dress, 1930s
Sexy, bias-cut designs are synonymous with the Hollywood glamour of the Depression years. The stretch from the diagonal bias-cut molds the dress to the woman, rather than vice versa, so that the dress fits like a second skin. This fab dress epitomizes the seductive sensuality of 1930s glamour.
The dress is fashioned from black rayon velvet reverse printed with bronzed metallic gold. In reverse printing, the floral design is blocked out so that the printing pigment covers the remaining ground. The mysterious, semi-abstract floral design would be the envy of the most beautiful leopard in the jungle.
In front, the dress features a draped cowl neckline. In back, the overlapping surplice style creates a plunging "V". The faux sleeves are open over the shoulder and draped under the arm. The bodice closes in back with fabric loops and self-covered buttons, miraculously all intact. There are no other closures.
In Paris Fashion, Valerie Steele recounts how black velvet took on the cachet and glamour that it still has today. In the 1430s, Philip the Good, Duke of Burgundy, presided over the grandest European court, which became the accepted leader of fashion. His nobles wore brilliant reds and purples. Duke Philip, however, wore black velvet to distinguish himself from his "peacock courtiers" by the somber magnificence of his costume.
The condition is almost excellent. At the hemline are a few barely noticeable mends. The hem has been backed with supporting fabric to protect it.
Bias cuts stretch; the measurements are approximate.
It measures: 38" bust, 33" waist, 40" hip, and 59" from the shoulder to the
front hem (longer in back).
